St. Kilda, A Special Part of Melbourne

In all honesty, I didn’t do any research before going to Australia. My friend sent me a message about how we should meet up in Australia, and I said yes. I bought a plane ticket, I reached out to my few Aussie, and Tassie friends, they hooked me up with places to stay and recommendations and then that was it. My friend Lisa did much of the research on what to do and where to stay. I felt like after spending six months in China that a trip to Australia was going to be so easy- and I was so right.

I’m happy Lisa put more into it because without Lisa’s research we may never have stayed in what I consider the best part of Melbourne. St. Kilda is a little distance from the center of the city, but worth the commute. It felt like a place completely separate from Melbourne, which I imagine it is to some extent. I’ve already mentioned that I liked Melbourne, and there were many great parts of the city, but St. Kilda was my favorite.

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It wasn’t just because of this creepy fun park with the nightmarish clown mouth that you walk into, Sydney also had a Luna Park, but it helped with the setting. I had heard from some people that St. Kilda was once a pretty aggressive area. It makes me think of Dog Town when Southern California beach towns were tough and surfers weren’t the pretty groomed boys and girls of the magazines, but actually more gang like and territorial. I don’t know if that’s really what it was like, but you can tell that it’s still a little rough around the edges. I personally like that; the rough around the edges part. I tend to think rough around the edges is another way of saying creative and edgy.

No one wants to live in a place where they feel unsafe, but you also don’t want everything to look like the cookie cutter idea of happiness. I think you always need a little bit of wild to remind yourself that life is unpredictable and chaotic; everything else is just a facade. I guess to be more specific, once money and image comes into a neighborhood the rules and regulations get tighter. That once awesome muralist that would paint amazing paintings on the wall is suddenly a criminal, all because one person with more money moved into the neighborhood and doesn’t like the way it looks. Or the local market that would once give away food that was going to go bad to homeless people is suddenly fined because that new posh business that just moved into the neighborhood doesn’t like having homeless people around because it’s bad for business, or that local rock club that has been around for decades has to shut down because some real estate mogul has come in and bought up the property and wants to build condos for vacationers and he doesn’t care what happens to the local neighborhood because he doesn’t even live there,  and so on. There’s still homelessness, there’s still crime (or new crimes have been created through new laws) you just can’t see any of it because they pushed it into another neighborhood. That’s what I mean about the facade. CIMG2480

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I suspect St. Kilda will head the direction of tourist and vacation destination and price increases. I imagine it has already seen some price increases. It’s too bad it couldn’t stop right about where it is just floating between once rough and now up-in-coming that’s always the best time. CIMG2481

Judging by the architecture and some of the old photos of the area it was originally a pretty  wealthy place, a fun palisade for the wealthier folk of Melbourne to come and visit for their summer holidays. But as happened to so many places at the turn of the century, it went from a Victorian playground for the rich to a red light district. Something happens and it falls into neglect and disrepair and eventually it becomes dangerous like Coney Island or Santa Cruz boardwalk. Those places were both scary in the 70’s and 80’s just  watch The Warriors. All they wanted to do was make it back to Coney Island. Maybe it’s all just a crazy cycle.
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One thing that we got to experience while we were there was the St. Kilda festival. Nine days of music and art. It doesn’t get more spectacular then that really. We watched several bands, and wandered into many galleries. To me music and art are basic fundamental parts of life just like food and shelter. We need it in order to really feel alive. We are nourished and then we express ourselves. If you really want to see what’s happening in a city check out the music and art scene. Is it exciting and new, refreshing, and surprising or is it something you can see on vevo or any manufactured pop scene?

 

I didn’t take many pictures of the bands, but I loved this colorful girl group that called themselves We Love the 90’s or something like that. I didn’t realize the 90’s were so bright and poppy, but maybe I wasn’t paying much attention back then. CIMG2948

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And, of course we had to see some metal. hesherWe stayed about three nights in St. Kilda in a nice hotel just a few blocks from the beach. Even after we left and stayed in another part of town, I returned to take a final walk on the beach. I mean, just take a look at that sunset. It’s like it’s something straight out of a last days of summer motif.

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A well earned vodka soda.

 

Another Successful Fundraiser for Arts and Letters

Don’t Short Change the Muse II was a great success. If you are interested in reading about the first Don’t Short Change the Muse click on the link. I reached my goal and was able to pay for my final tuition payment. I’m pretty proud and amazed to be able to say my writing program was entirely paid for with money raised by art. Spectacular really.

A silhouette of a woman setting up a cafe at night.
Setting up for the show
Musicians setting up to perform.
Warming up before the doors open

We had a much larger turn out then we did the first time, and we had more performers and donations for the silent auction.

An audience looks on smiling at the performance.
The audience with some of the performers

We had a lot more music this time, and we also had the extra element of a short art film. We still had some sketch comedy along with me reading and performing pieces of my own writing, but the addition of more music really brightened and entertained the audience.

A violinist, cellist, concertinist and flautist performing on stage.
The Walking Guild performing Witching Well

 

A woman in black and grey clothes performing a monologue on stage in front of a beige curtain.
I’m performing my poem Remain Seated

At our new venue we had a balcony and Sarah performed Cole Porter’s, “The Tale of the Oyster” from above the audience.

A woman singing and playing the accordion.
Sarah Performing Cole Porters “The tale of the Oyster

 

A guitar player and cellist play music and a woman sits on a chair watching.
Anna Fritz and David Waingarten playing
A stage of musicians and singer performing as a woman peeks from behind a curtain to watch.
Performing the Witching Well

It wouldn’t be a vaudeville show without burlesque. Miss Fannie Fuller’s tantalizing “Dance of the Seven Veils” burlesque.

A woman dressed in a red scarf dance on a stage.
The Dance of the Seven Veils by Miss Fanny Fuller
red boots, and the legs of a woman in white fishnet stockings and cream high heels.
burlesque

Once I again, I am humbled and honored to have had so many artists share their talent and offer their time and work. That is two very successful fundraisers to put to rest.

A woman in a black top, grey skirt and bright red boots gives a speech on a stage.
Grand Thank yous

Fundraising Event for Don’t Short Change the Muse II

My friend Jen Smith created this drawing based on a poem I wrote awhile back.

I am setting up another fundraiser in order to help me pay for my tuition. This will be the second variety show that I produce. I am lucky that I happen to know some very talented performers. And this time I have the help of two friends.

Jen is drawing three pieces to go with one of my poems to sell at our silent auction. I have two other painters doing their own pieces. One piece that I haven’t seen yet is being done based on another of my poems. There will also be a short film, cello music, storytelling to music, burlesque, opera and an acting performance, and a reading. It is a great way to bring people together see some great art and to raise money.

The show is on the 14th of November so it is coming up soon. Hopefully I will raise enough to pay off my tuition. This fundraisers goal is higher than the last: $1,200.00 dollars. It will feel good to know I paid for this through art versus taking out a loan. Paid in full by my own hard work and the help of artists. How amazing is that?

This fundraiser has a lot more collaborative work allowing for cross-medium and genre performances. I am working with my friend video/film maker Francis and we are going to make a video to another one of my poems: This is the Power of Performance. Now Set the Poet Free. Poetry is not my main medium, but I am collaborating a lot with my poetry. I am also collaborating with visual artists, and musicians. The band the Waking Guild, has sent me one of their songs and I wrote a story to it, so instead of singing I will be performing a reading over the music.

The show is this Sunday, and I have some incredible people performing. I’m really amazed with the amount of talent. I hope I have a good turn out, not just to make the money I need for school, but also just so that there is an audience for these great performers.

Don’t Short Change the Muse II

Once again we will be having another fundraiser to help Adrienna pay her final tuition fees for The Attic Anthenum.

We’ve put together another fantastic night of music, dance, acting, and multimedia visual art. Come early to enjoy the hordourves, drinks, and fun ambience.

There will be a silent auction and this time we have even more incredible art, crafts, and services for you to bid upon.

November 14th 2011, 7:00 p.m.

Come join us in community and art.

This is the drawing used in the invitation is by Jen Smith and inspired by my poem Girl. I’m really thrilled with what she has created. The originals will be up for the auction on Sunday, and prints will also be available for purchase. It is strange to see one of my poems come alive in a drawing.

Opening Speech for the Tuition Fundraiser: Don’t Short Change the Muse

Terry O’Neil, CC BY-SA 4.0 https://creativecommons.org/licenses/by-sa/4.0, via Wikimedia Commons

William S. Burroughs once said, “Cheat your landlord if you can and must, but do not try to short change the muse. It cannot be done. You can’t fake quality anymore than you can fake a good meal”.

He meant to always be truthful in what you write and what you do, dirty or clean, as long as it is you and yours. I also take it to mean, “don’t cut corners when it comes to what you love”.

In any art form the artist needs to continue to grow. As every artist knows nothing is more detrimental than complacency and routine. As soon as you are comfortable: change. As soon as you are popular: give them a left hook. That is our exercise as artists. We need to keep learning no matter how old we get. The grey matter in our head is plastic and expands, but only with use. Practice does make perfect, and as soon as you are perfect it’s time to cut that shit up and take a risk.

This event was a very last-minute thing for me, setting up the auction and the fundraiser, I’m amazed it has actually all come together in so little time. I had not expected to be accepted into the  Atheneum program at the Attic and was not prepared with the tuition. Like most of us, I survive by tooth and nail, but when I received the acceptance letter something inside me said, don’t say no because of the money.

The Atheneum is about building a community of writers, it is about creating a circle of learning. I have had my share of community involvement through organizations like Write Around Portland and Playwrite Inc., In both organizations I have volunteered my time to help others, all through writing and performance. This is something I have always enjoyed, and for no other reason other than that I think Art Saves Lives. I believe art can touch and change people.

This is the first time I have ever asked for money for myself, and this is also the first time I have ever built a show. The first time I have ever showcased any of my work, and in a very short time I have learned a great deal about community. The reason I followed through with this event is because of all the names you see in the program. I was amazed at the sheer excitement, joy and support my friends have offered in putting this together, and that support and joy extended out. I never knew so many people had wanted to see me succeed in my dreams, and I am honored.

There is not one artist in the history of art that did not have some network. Even the most solitary and loneliest of us need support even Van Gogh had his brother Theo. Our society, our media projects the image that certain famous artists and writers were loners and climbed to the top on their own, but this is a falsehood, everyone has held the hand of at least one person. And that is what we are doing here tonight; holding hands. You are holding my hands as I ask you for help in making my dream of becoming a great American novelist come true, so that in turn I can hold the hand of another.

Thank you from the bottom of my heart for all of you that have helped pull this together and to those of you for being here.

Thank you to Bar Carlo for the space, be sure to buy yourself some drinks and tip the bartender. Also don’t forget to check out the silent auction. The show is about to begin!

The show began…and ended beautifully.

A single red rose bud on a bush.

How to have a Successful Fundraiser for a Future Writer

Days later, and I still can’t believe that three weeks ago this fundraiser for me and created by me with the support of a friend (the amazing Alisa Peck), was just some random thought. I have random thoughts all the time. I am a talker, not often a doer. I’m an optimistic pessimist, do you know how hard that is? I’m still not sure this really happened, but there are pictures and I have a program that I created to prove it.

I emceed, and opened the show with my poem, “I am not your Sylvia.”

Bar Carlo was a fairly new establishment in SE Portland. My friend and current employer, recently opened a bar across the street, and she had become friends with the owners of Bar Carlo. It was due to the proximity to my friend’s bar and her relationship with the owners that I was able to have the fundraiser in their restaurant. This is the beauty of networking. Actually, I’d say deeper than networking, because networking is more about opportunistic pursuits. The word I’m thinking of is community. There is of course a reciprocal relationship between the fundraiser and the restaurant. I will bring people into their establishment and those people will order drinks, and maybe they’ll come back. However, the restaurant loses an immediate profit by hosting my fundraiser. They let me have it as a private party during a night that they are normally closed, but they did not charge me for the space. They donated their space to help a fundraiser for me to raise money for a writing program. They don’t know me personally, but they knew my friend, and that’s why they agreed. Community.

We didn’t have to pay for anything but the drinks. A friend brought the spread of awesome food, and another friend brought a red velvet cake (that her ten-year old son picked out). It was all a community event to help me pursue my dreams.

The front of a restaurant called Bar Carlo.
Bar Carlo, a great place for cocktails, brunch, and dinner.

I opened with a speech that I wrote. I went right into my first piece, a spoken word poem titled, “I Am Not Your Syliva“. A poem referencing the great Sylvia Plath, but also a poem about women taking back and holding their place in the poetry world.

A woman in a black dress is standing behind a music stand. She is reciting a poem.

Sarah of Carpe Vocum Singing, sang Ach Ich Fuhl’s, from Mozart’s The Magic Flute.

A woman singing and playing the accordion.

Miss Fannie Fuller danced an amazing burlesque piece to Le Hot Jazz

A female burlesque dancer beginning to unzip her costume.

A tribute Monty Python comedy troupe: Cirque De-cision, performed the sketch, “Army Protection Racket.

A young woman in a 1940's military uniform looks shocked as she speaks with a male officer whose face is turned away from the camera.

In the second act I opened with a monologue I wrote titled, “The Tragedy of Abigail Lockhart”.

The lights flashed and then in character, as Abagail, I waltzed onto the stage (the floor space). This drew people to their seats, and then in an exaggerated southern drawl, I began to speak. It is a comedic piece with a farcical performance. It was very fun to perform.

Sarah and Meghan sang an operatic duet, “The Flower,” ( Lakme), written by Leo Delibes. It was absolutely stunning. Jaw dropping. (I wish I could have recorded their voices, it was unforgettably beautiful.)

Two young women singing an operatic duet.

Cirque De-Cision performed “Children’s Stories.”

A white man in his mid twenties, sits on a chair looking at a program.

I read a piece from my novel Zizkov

A woman in a black dress is standing behind a music stand. She is reciting a poem.

And we ended with more Burlesque from Miss Fannie Fuller, who was also my friend, the wonderful Alisa Peck who inspired me to do this fundraiser in the first place. She guided me and held my hand through the entire process. I am forever grateful.

A close up of a woman's hand holding a large white feathered fan.

Aside from all the performers who volunteered their time and talent to my personal cause, I also had friends who donated their crafts, art and services for a silent auction.

As soon as people arrived we encouraged them to look over the gift cards, crafts, foods, and art, and starting bidding on what they wanted to take home with them. Quiet bidding went on during the duration of the performance. Another reminder of the silent auction was given during the intermission, and after the performance I gave patrons and guests five minutes to make their final bids. I announced the winners as a closing part of the night.

Artists and businesses had donated around $500.00 dollars worth of items and services to the auction including art, jewelry, a facial, acupuncture, hair cut, a dinner and journals.

Drawings of various art up for auction.
Donations from Friends and Friends of Friends

This felt like it was all done on the fly, but it wasn’t. It was just done in a very minute time frame. Three weeks to get it all organized and executed. I wasn’t able to do it alone. I pulled this together because so many people wanted to help and wanted to be involved, which was amazing. Honestly, I didn’t think it was possible to pull together an anachronistic variety show in a matter of two and a half weeks. Obviously you can, with the help of loving friends and community, anything is possible. And the level of performance was stunning, so surprising. I had never seen any of the performers perform before so it was all new to me, too. I really enjoyed emceeing, hosting and performing. The programing worked great, and that was amazing.

My hope, and my goal was to make at least enough to make my first payment. All I needed was $400.00 since I had already saved up $250.00 (The Attic has been kind enough to break my payments into four installments of $650.00) my first payment is due July 15th. I made $797.00 dollars that night. Beyond my expectations and hopes! I have already made my first payment and almost my second payment.

I’m still pinching myself that all this came together. But it did. It really did.

How to Fundraise Using Performance and Art

I was accepted into The Attic’s Antheneum program, but I don’t have the money to pay for it. It is an alternative to a MFA. It is still not an easy program to get accepted into, but it is a lot more affordable than a MFA program. However, I still don’t have the money to pay for it. After speaking with a friend, she suggested that I have a fundraiser. I felt a little uncomfortable at first asking people to give me money for a program that would only benefit me. It seemed too selfish a request, but my friend convinced me that I could do a fundraiser for myself. That it wasn’t an extraordinary thing to do. She also offered to help.

I am producing a variety show. A real vaudevillian callback. I have an opera singer, a burlesque dancer, some music, a comedian, and I will be performing three readings. I will be reading one spoken word, one monologue and a bit from my novel. I put together the program, the schedule, and found people to donate their talent and time. I also found a place that was willing to offer up their space.

Promoting is a huge part of the process and I am not the best at self promoting. Yet, I have to promote in order to get people to come to my fundraiser. How else do people know what you are doing ,and what it is they have the opportunity to see.

I have terrible imposter syndrome, so having this fundraiser and promoting it is one of the most difficult things I’ve ever done. If I wasn’t the main star and the subject and the needy, I could do it no problem. Since I am the star and it is about me, its more difficult for me to promote, because, and I’m sorry to admit this because it reveals the depths of my vulnerability, I just don’t think I’m worth much. I know, terrible to say, but I have a near zero level of self-esteem when it comes to my writing, art, photography– anything I create. Which I suppose is the definition of imposter syndrome. I’m trying though. I’m posting it all right here.

This is the first time I have ever done anything like this. A show about me for me. However, I have a lot of talented friends who will also be performing. Through all my insecurities, I believe the audiences is going to get a good show. For the promotion, I did a bunch of tongue in cheek promo pictures for my invite.

The name of the show is, Don’t Short Change the Muse. It comes from something William Burroughs once said. It is on the 22nd of June and will be happening here in Portland. I’m not sure how many Portland people read this post, but if you want to come you are invited. The info is at the bottom of this post.

In the end we decided to scrap the profile pictures and go with something else.